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BABE
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Universal, 1995
| | PRINCIPAL CAST |
James Cromwell
| | DIRECTOR |
Chris Noonan
| | PRODUCERS |
George Miller, Doug Mitchell, Bill Miller
| | SCREENWRITERS |
George Miller, Chris Noonan
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This fantasy film tells the story of Babe, an orphaned young pig who is raised by a sheep dog, becomes an expert herder, and forms a special bond with an eccentric farmer as they share "the faintest hint of a common destiny."
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BABES IN ARMS
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M-G-M, 1939
| | PRINCIPAL CAST |
Mickey Rooney, Judy Garland
| | DIRECTOR |
Busby Berkeley
| | PRODUCER |
Arthur Freed
| | SCREENWRITERS |
Jack McGowan, Kay Van Riper
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Rooney and Garland, offspring of out-of-work vaudevillians, put on their own show in this lavish "backyard" musical. A highlight of the film is a number in which they impersonate Franklin and Eleanor Roosevelt.
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BACK TO THE FUTURE
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Universal, 1985
| | PRINCIPAL CAST |
Michael J. Fox, Christopher Lloyd
| | DIRECTOR |
Robert Zemeckis
| | PRODUCER |
Neil Canton, Bob Gale
| | SCREENWRITERS |
Bob Gale, Robert Zemeckis
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Fox is Marty McFly, a high-school student who jumps into a DeLorean time machine built by a crazy scientist, Lloyd, and travels back in time to 1955. After bungling the moment when his parents first meet, he must get them interested in each other to secure his own destiny.
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BADLANDS
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Warner Bros., 1973
| | PRINCIPAL CAST |
Martin Sheen, Sissy Spacek
| | DIRECTOR |
Terrence Malick
| | PRODUCER |
Terrence Malick
| | SCREENWRITER |
Terrence Malick
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A based-in-fact crime thriller about a notorious couple, a young garbage man and his teenage girlfriend, who crossed America in the 1950s leaving a trail of bodies behind them. The film was Malick's directorial debut.
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BAMBI
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Disney, 1942
| | PRINCIPAL CAST |
David Hand, Perce Pearce
| | DIRECTOR |
Walt Disney
| | PRODUCER |
Walt Disney
| | SCREENWRITER |
Larry Morey
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It's hard to keep a dry eye in this visually beautiful, animated story of life in the forest that moves from the idyllic to the horrific and back again for the sweet-natured fawn Bambi.
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THE BAND WAGON
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M-G-M, 1953
| | PRINCIPAL CAST |
Fred Astaire, Cyd Charisse, Jack Buchanan
| | DIRECTOR |
Vincente Minnelli
| | PRODUCER |
Arthur Freed
| | SCREENWRITERS |
Betty Comden, Adolph Green
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The Dietz-Schwartz score, boasting standards like "Dancing in the Dark" and "That's Entertainment," and some great dancing by Astaire and Charisse are
highlights of this backstage musical. English musical star Buchanan holds his own with Astaire in the "I Guess I'll Have To Change My Plans" number.
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THE BANK DICK
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Universal, 1940
| | PRINCIPAL CAST |
W.C. Fields
| | DIRECTOR |
Edward F. Cline
| | PRODUCER |
Jack Gross
| | SCREENWRITER |
Mahatma Kane Jeeves
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Fields plays Edward Souse, a man who tries his best to live up to his name, but is heralded as a hero and awarded a job as a bank detective when he inadvertently topples over a robber. The caustic Fields' memorable lines include "I shall repair
to the bosom of my family, a dismal place, I admit."
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BAREFOOT IN THE PARK
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Paramount, 1967
| | PRINCIPAL CAST |
Robert Redford, Jane Fonda, Charles Boyer, Mildred Natwick
| | DIRECTOR |
Gene Saks
| | PRODUCER |
Hal B. Wallis
| | SCREENWRITER |
Neil Simon
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Redford is a somewhat stuffy New York lawyer who marries free-spirited Fonda in this comedy about adjustments and acceptance in marriage just after the honeymoon.
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BATAAN
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M-G-M, 1943
| | PRINCIPAL CAST |
Robert Taylor, George Murphy
| | DIRECTOR |
Tay Garnett
| | PRODUCER |
Irving Starr
| | SCREENWRITER |
Robert D. Andrews
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This quintessential battle film centers on members of a remarkably diverse platoon who valiantly fight the invisible but relentless enemy in an effort to hold the Pacific island peninsula.
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BATMAN
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Warner Bros., 1989
| | PRINCIPAL CAST |
Michael Keaton, Jack Nicholson, Kim Basinger
| | DIRECTOR |
Tim Burton
| | PRODUCERS |
Peter Guber, Jon Peters
| | SCREENWRITERS |
Sam Hamm, Warren Skaaren
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Keaton's Batman and Nicholson's Joker duke it out for the soul of Gotham City. Burton's take on the comic book's Dark Knight comes to life in the world created by Anton Furst's production design.
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BEAU GESTE
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Paramount, 1939
| | PRINCIPAL CAST |
Gary Cooper, Ray Milland, Robert Preston, Brian Donlevy
| | DIRECTOR |
William A. Wellman
| | PRODUCERS |
William A. Wellman
| | SCREENWRITER |
Robert Carson
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After joining the French Foreign Legion, Cooper and his devoted brothers are subjected to the brutality of sadistic commanding officer Donlevy in this tale of a missing gem and a debt of honor.
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BEAUTY AND THE BEAST
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Disney, 1991
| | PRINCIPAL CAST |
Gary Trousdale, Kirk Wise
| | DIRECTOR |
Don Hahn
| | PRODUCERS |
Linda Woolverton
| | SCREENWRITER |
Robert Carson
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This animated musical is based on the classic fairy tale of the girl who falls in love with a hideous beast only to discover he is a handsome prince under a spell. The film's songs include the title song and the show-stopping "Be Our Guest."
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BEN-HUR
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M-G-M, 1926
| | PRINCIPAL CAST |
Ramon Novarro, Francis X. Bushman, May McAvoy
| | DIRECTOR |
Fred Niblo
| | PRODUCERS |
Louis B. Mayer, Samuel Goldwyn
| | SCREENWRITERS |
Bess Meredyth, Carey Wilson, June Mathis
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This silent version of Lew Wallace's famous novel set in Rome and Jerusalem at the time of Christ features a chariot race between Novarro and Bushman that remains one of the most spectacular scenes of the silent era.
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BEN-HUR
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M-G-M, 1959
| | PRINCIPAL CAST |
Charlton Heston, Hugh Griffith, Jack Hawkins
| | DIRECTOR |
William Wyler
| | PRODUCERS |
Sam Zimbalist
| | SCREENWRITER |
Karl Tunberg
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This epic remake of the 1926 film features Heston as the title character, a wealthy Jew whose former childhood friend, a Roman, causes him to lose everything. He eventually gets his revenge in the film's spectacular chariot race.
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THE BEST YEARS OF OUR LIVES
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RKO, 1946
| | PRINCIPAL CAST |
Myrna Loy, Fredric March, Harold Russell
| | DIRECTOR |
William Wyler
| | PRODUCER |
Samuel Goldwyn
| | SCREENWRITER |
Robert E. Sherwood
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World War II veterans from different strata of society face difficult readjustments to everyday civilian life in this thoughtful film, which simply and realistically shows a real-life soldier coping with devastating injuries.
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BEVERLY HILLS COP
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Paramount, 1984
| | PRINCIPAL CAST |
Eddie Murphy, Judge Reinhold
| | DIRECTOR |
Martin Brest
| | PRODUCERS |
Jerry Bruckheimer, Don Simpson
| | SCREENWRITERS |
Danilo Bach, Daniel Petrie, Jr.
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Murphy is a street-wise, smart-talking Detroit cop who arrives in Beverly Hills in search of the man who murdered a friend. Culture shock drives the laughs in this action comedy as Murphy navigates Rodeo Drive to get his man.
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BIG
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Twentieth Century-Fox, 1988
| | PRINCIPAL CAST |
Tom Hanks, Elizabeth Perkins
| | DIRECTOR |
Penny Marshall
| | PRODUCERS |
James L. Brooks, Robert Greenhut
| | SCREENWRITERS |
Gary Ross, Anne Spielberg
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Marshall's magical comedy warns us to be careful about what we wish for. Here the wish is made by a twelve-year-old boy, who wants to be "big," and the next morning wakes up in the body of a thirty-year-old man, played by Hanks.
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THE BIG CHILL
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Columbia, 1983
| | PRINCIPAL CAST |
Kevin Kline, Glenn Close, William Hurt, Tom Berenger, Jeff Goldblum
| | DIRECTOR |
Lawrence Kasdan
| | PRODUCER |
Michael Shamberg
| | SCREENWRITERS |
Barbara Benedek, Lawrence Kasdan
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Kline and Close lead an ensemble cast in this tragi-comedy about a group of college friends reuniting to mourn the suicide of their friend. The movie's soundtrack prompted a resurgence of 1960s classics like "I Heard It Through The Grapevine."
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THE BIG PARADE
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M-G-M, 1925
| | PRINCIPAL CAST |
John Gilbert, Renee Adoree
| | DIRECTOR |
King Vidor
| | PRODUCER |
Irving Thalberg
| | SCREENWRITERS |
Lawrence Stallings, Harry Behn
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Vidor's cadenced staging of a military assault is one of the highlights of this anti-war film featuring box office idol Gilbert as an eager American Doughboy.
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THE BIG SLEEP
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Warner Bros., 1946
| | PRINCIPAL CAST |
Humphrey Bogart, Lauren Bacall
| | DIRECTOR |
Howard Hawks
| | PRODUCER |
Howard Hawks
| | SCREENWRITERS |
William Faulkner, Leigh Brackett, Jules Furthman
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Bacall and Bogart make sparks fly while trying to outwit the blackmailers, seedy cops and odd characters who populate the treacherous world of Raymond Chandler's Los Angeles.
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THE BIRDS
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Universal, 1963
| | PRINCIPAL CAST |
Tippi Hedren, Rod Taylor, Jessica Tandy
| | DIRECTOR |
Alfred Hitchcock
| | PRODUCER |
Alfred Hitchcock
| | SCREENWRITER |
Evan Hunter
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Hitchcock's bird's-eye view of the apocalypse has our feathered friends attacking the residents of a small town in northern California.
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THE BIRTH OF A NATION
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Epoch, 1915
| | PRINCIPAL CAST |
Lillian Gish, Henry Walthall
| | DIRECTOR |
D.W. Griffith
| | PRODUCER |
D.W. Griffith
| | SCREENWRITERS |
D.W. Griffith, Frank E. Woods
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This now-controversial film about the Civil War and its aftermath was the first of the great American epic films and a landmark in the development of the motion picture.
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THE BLACKBOARD JUNGLE
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M-G-M, 1955
| | PRINCIPAL CAST |
Glenn Ford, Anne Francis, Louis Calhern, Sidney Poitier, Vic Morrow
| | DIRECTOR |
Richard Brooks
| | PRODUCER |
Pandro S. Berman
| | SCREENWRITER |
Richard Brooks
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Teacher Ford is thrust into the often violent world of life in a gang-infested New York City high school. Poitier and Morrow lead rival gangs in the film, which has its credits rolling over the groundbreaking use of rock-and-roll music, specifically "Rock Around the Clock."
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BLADE RUNNER
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Warner Bros., 1982
| | PRINCIPAL CAST |
Harrison Ford, Rutger Hauer, Sean Young,
Edward James Olmos
| | DIRECTOR |
Richard Brooks
| | PRODUCER |
Ridley Scott
| | SCREENWRITER |
Hampton Fancher
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The opening shot of Los Angeles in 2019 sets the stage for Scott's dark, futuristic thriller. It's a world of buildings built over rubble, bursts of fire, a constant dirty rain and the shiniest, constant advertising that describes vacation colonies in space. This is where we find blade runner Ford, who has been hired to hunt down a group of "replicants," a powerful human-like species that has mutinied in space and returned to earth in an attempt to prolong their life-span.
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BLAZING SADDLES
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Warner Bros., 1974
| | PRINCIPAL CAST |
Cleavon Little, Gene Wilder, Madeline Kahn
| | DIRECTOR |
Mel Brooks
| | PRODUCER |
Michael Hertzberg
| | SCREENWRITERS |
Mel Brooks, Richard Pryor, Norman Steinberg, Alan Uger, Andrew Bergman
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Brooks takes aim at the American Western in this comedy about a group of crooks who want to run a railroad through Ridge Rock, so they send Little's Black Bart into town in hopes that the people will revolt. The film tickled America's funny bone and is probably best remembered for the infamous campfire scene.
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BLUE VELVET
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De Laurentiis Entertainment Group, 1986
| | PRINCIPAL CAST |
Isabella Rossellini, Kyle MacLachlan, Dennis Hopper
| | DIRECTOR |
David Lynch
| | PRODUCER |
Fred C. Caruso
| | SCREENWRITER |
David Lynch
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Catalyzed by the discovery of a severed ear, as two young lovers find themselves in the terrifying world of rapists, murderers and Hopper's gas sucking Frank Booth. Lynch exposes the seamy underside of an all-American town.
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BONNIE AND CLYDE
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Warner Bros., 1967
| | PRINCIPAL CAST |
Warren Beatty, Faye Dunaway, Gene Hackman
| | DIRECTOR |
Arthur Penn
| | PRODUCER |
Warren Beatty
| | SCREENWRITERS |
Robert Benton, David Newman
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Dunaway and Beatty star in the story of real-life 1930s bank robbers Bonnie Parker and Clyde Barrow, which mixed romance, adventure, glamour, comedy and violence in a way never seen before. "We rob banks."
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BORN ON THE FOURTH OF JULY
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Universal, 1989
| | PRINCIPAL CAST |
Tom Cruise, Willem Dafoe
| | DIRECTOR |
Oliver Stone
| | PRODUCERS |
Oliver Stone, A. Kitman Ho
| | SCREENWRITERS |
Oliver Stone, Ron Kovic
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Based on the real-life story of screenwriter Kovic, Cruise plays a patriotic young man who signs up to serve in Vietnam. He returns home in a wheelchair and, after dark bouts with alcoholism and depression, he becomes active in protests against the war.
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BOYS TOWN
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M-G-M, 1938
| | PRINCIPAL CAST |
Spencer Tracy, Mickey Rooney
| | DIRECTOR |
Norman Taurog
| | PRODUCERS |
John W. Considine, Jr.
| | SCREENWRITERS |
Eleanore Griffin, Dore Schary, John Meehan
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Tracy plays Father Edward Flanagan, an Omaha priest who founded the famous orphanage predicated on his belief that there is no such thing as a bad boy. Rooney proved to be Flanagan's greatest challenge as the cocky "Whitey."
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BRAVEHEART
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Paramount, 1995
| | PRINCIPAL CAST |
Mel Gibson, Sophie Marceau
| | DIRECTOR |
Mel Gibson
| | PRODUCERS |
Mel Gibson, Alan Ladd, Jr., Bruce Davey
| | SCREENWRITER |
Randall Wallace
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Inspired by the legendary exploits of 13th-century Scottish patriot William Wallace, the film is noteworthy for its intense battle scenes and stirring plea for freedom.
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BRAZIL
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Universal, 1985
| | PRINCIPAL CAST |
Jonathan Pryce, Robert De Niro
| | DIRECTOR |
Terry Gilliam
| | PRODUCERS |
Arnon Milchan
| | SCREENWRITERS |
Terry Gilliam, Charles McKeown, Tom Stoppard
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Gilliam's darkly comic sci-fi epic nightmare of the future finds Pryce as a civil servant who desperately tries to hold onto his dreams. Occasionally, he allows his mind to soar with the woman of his dreams, high above this paranoid, claustrophobic world.
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BREAKFAST AT TIFFANY'S
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Paramount, 1961
| | PRINCIPAL CAST |
Audrey Hepburn, George Peppard, Patricia Neal
| | DIRECTOR |
Blake Edwards
| | PRODUCERS |
Martin Jurow, Richard Shepherd
| | SCREENWRITER |
George Axelrod
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Hepburn is Holly Golightly, a Manhattan party girl with a small town past. Peppard is a struggling writer kept by the wealthy Neal. The two free each other from the ties of the past and fall in love. The film features the Henry Mancini/Johnny Mercer song "Moon River."
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BREAKING AWAY
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Twentieth Century-Fox, 1979
| | PRINCIPAL CAST |
Dennis Christopher, Dennis Quaid, Daniel Stern, Barbara Barrie
| | DIRECTOR |
Peter Yates
| | PRODUCER |
Peter Yates
| | SCREENWRITER |
Steve Tesich
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An exuberant local youth and his friends come of age in a college town that draws an ugly boundary between the students and the locals, nicknamed "cutters" for the town's stonecutting industry at a limestone quarry. The film's climax pits town vs. gown in a bicycle race.
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THE BRIDGE ON THE RIVER KWAI
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Columbia, 1957
| | PRINCIPAL CAST |
William Holden, Alec Guinness, Sessue Hayakawa
| | DIRECTOR |
David Lean
| | PRODUCER |
Peter Yates
| | SCREENWRITER |
Sam Spiegel
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Pierre Boulle (Carl Foreman & Michael Wilson)
Guinness is the rigid British officer who refuses to bow to torture in a Japanese prison camp during World War II. Holden is an American who escapes from the camp, then must return to sabotage a bridge constructed to perfection by inspired POWs under Guinness' command.
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BRINGING UP BABY
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RKO, 1938
| | PRINCIPAL CAST |
Katharine Hepburn, Cary Grant, May Robson
| | DIRECTOR |
Howard Hawks
| | PRODUCER |
Cliff Reid
| | SCREENWRITERS |
Dudley Nichols, Hagar Wilde
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With the help of her pet leopard Baby and a wire-haired terrier named George, madcap heiress Hepburn derails the staid life of paleontologist Grant in this fast-paced screwball comedy.
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BROADCAST NEWS
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Twentieth Century-Fox, 1987
| | PRINCIPAL CAST |
William Hurt, Holly Hunter, Albert Brooks
| | DIRECTOR |
James L. Brooks
| | PRODUCER |
James L. Brooks
| | SCREENWRITER |
James L. Brooks
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The movies turn their lenses toward TV news in this comedy that features Hunter as a fast talking TV producer who falls for the handsome anchor, Hurt, despite the fact that he embodies none of what she respects in a journalist. Brooks is doomed to lead the life of the romantic third wheel Ñ and ethical reporter.
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THE BROADWAY MELODY
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M-G-M, 1929
| | PRINCIPAL CAST |
Anita Page, Bessie Love, Charles King
| | DIRECTOR |
Harry Beaumont
| | PRODUCER |
Harry Rapf
| | SCREENWRITERS |
Edmund Goulding, James Gleason, Norman Houston,
Sarah Mason
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This "all-talkingall-singingall-dancing" musical showed what sound and songs could do for the movie business. The film featured such classics as "You Were Meant for Me" as well as the title song.
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BULLITT
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Warner Bros., 1968
| | PRINCIPAL CAST |
Steve McQueen, Robert Vaughn, Jacqueline Bisset
| | DIRECTOR |
Peter Yates
| | PRODUCER |
Philip D'Antoni
| | SCREENWRITERS |
Alan R. Trustman, Harry Kleiner
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Hard-boiled McQueen is police detective Frank Bullitt, who begins to suspect a witness he's been charged to protect. The car chase through the streets of San Francisco is considered one of the great chases on film.
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BUTCH CASSIDY AND THE SUNDANCE KID
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Twentieth Century-Fox, 1969
| | PRINCIPAL CAST |
Paul Newman, Robert Redford, Katharine Ross
| | DIRECTOR |
George Roy Hill
| | PRODUCERS |
John Foreman, Paul Monash
| | SCREENWRITER |
William Goldman
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Newman and Redford are two offbeat outlaws who run (and jump) from the law, then flee to Bolivia where they meet a bloody end. The action-filled, lightly comic Western features the Burt Bacharach song "Raindrops Keep Falling on My Head."
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