 |  | |
d
|
 |
DANCES WITH WOLVES
| |
Orion, 1990
| | PRINCIPAL CAST |
Kevin Costner, Mary McDonnell, Graham
Greene
| | DIRECTOR |
Kevin Costner
| | PRODUCERS |
Kevin Costner, Jim Wilson
| | SCREENWRITER |
Michael Blake
| |
Costner directs and stars in this epic vision of the
old West, where a disillusioned soldier leaves the
Civil War and strikes out to the prairie on his own.
After a difficult start, he learns to live, love and
respect the land when the Sioux Indians welcome him
into their tribe.
|
 |
DANGEROUS LIAISONS
| |
Warner Bros., 1988
| | PRINCIPAL CAST |
Glenn Close, John Malkovich, Michelle
Pfeiffer
| | DIRECTOR |
Stephen Frears
| | PRODUCERS |
Norma Heyman, Hank Moonjean
| | SCREENWRITER |
Christopher Hampton
| |
This costume drama set in 18th-century France stars
Close as a noblewoman and Malkovich as her poisonous
cohort. Once former lovers, they share a passion for
cruel, erotic games that manipulate those around them
until they turn on each other.
|
 |
DAVID COPPERFIELD
| |
M-G-M, 1935
| | PRINCIPAL CAST |
W.C. Fields, Lionel Barrymore, Freddie
Bartholomew,
Edna May Oliver
| | DIRECTOR |
George Cukor
| | PRODUCER |
David O. Selznick
| | SCREENWRITERS |
Howard Estabrook, Hugh Walpole
| |
A fairly literal adaptation of the Dickens novel, the
film takes its strength from a gallery of engaging
and villainous characters who come into contact with
the title character, played by Bartholomew, including
Fields as Macawber and Oliver as Aunt Betsey.
|
 |
THE DAY THE EARTH STOOD STILL
| |
Twentieth Century-Fox, 1951
| | PRINCIPAL CAST |
Michael Rennie, Patricia Neal
| | DIRECTOR |
Robert Wise
| | PRODUCER |
Julian Blaustein
| | SCREENWRITER |
Edmund H. North
| |
Rennie, a handsome, peace-loving alien, comes to earth
and tries to warn Washington about the dangers of nuclear
power. Neal, as a widow with a young son, is one of
the few to heed his warnings in this landmark science-fiction
film.
|
 |
DAYS OF HEAVEN
| |
Paramount, 1978
| | PRINCIPAL CAST |
Richard Gere, Brooke Adams, Sam Shepard
| | DIRECTOR |
Terrence Malick
| | PRODUCERS |
Bert Schneider, Harold Schneider
| | SCREENWRITER |
Terrence Malick
| |
Gere and Adams are lovers who have escaped the big city
at the turn-of-the-century and begun a new life as
workers in a Texas wheat field. When a love triangle
with the farm's owner, Shepard, is revealed, apocalyptic
events bring tragedy to their formerly idyllic world.
The film is often noted for its achievement in cinematography.
|
 |
DAYS OF WINE AND ROSES
| |
Warner Bros., 1962
| | PRINCIPAL CAST |
Jack Lemmon, Lee Remick
| | DIRECTOR |
Blake Edwards
| | PRODUCER |
Martin Manulis
| | SCREENWRITER |
J.P. Miller
| |
Lemmon drags his new wife, Remick, with him into the
pit of alcoholism. Originally a television drama, the
film's dark story was memorable for its unblinking
look behind the closed doors of an everyman and everywoman.
|
 |
DEAD POETS SOCIETY
| |
Touchstone, 1989
| | PRINCIPAL CAST |
Robin Williams, Ethan Hawke
| | DIRECTOR |
Peter Weir
| | PRODUCERS |
Steven Haft, Tony Thomas, Paul Junger Witt
| | SCREENWRITER |
Tom Schulman
| |
Williams is a passionate 1950s prep school teacher who
inspires his students to "seize the day."
When one of his students commits suicide, his unorthodox
teaching methods are blamed.
|
 |
THE DEER HUNTER
| |
Universal, 1978
| | PRINCIPAL CAST |
Robert De Niro, Christopher Walken, Meryl
Streep
| | DIRECTOR |
Michael Cimino
| | PRODUCERS |
Michael Cimino, Michael Deeley, John Peverall,
Barry Spikings
| | SCREENWRITERS |
Michael Cimino, Louis Garfinkle, Quinn
K. Redeker,
Deric Washburn
| |
Cimino's epic film about friendship chronicles the lives
of three steelworkers and their friends whose lives
are irrevocably changed by a tour of duty in Vietnam.
The film is renowned for the Russian roulette scenes.
|
 |
THE DEFIANT ONES
| |
United Artists, 1958
| | PRINCIPAL CAST |
Sidney Poitier, Tony Curtis, Theodore
Bikel, Cara Williams
| | DIRECTOR |
Stanley Kramer
| | PRODUCER |
Stanley Kramer
| | SCREENWRITERS |
Harold Jacob Smith, Nedrick Young
| |
Kramer's ground-breaking film centered on two embittered,
escaped convicts, one white, the other black, who are
shackled together. Each learns that their survival
depends on trust and working together.
|
 |
DELIVERANCE
| |
Warner Bros., 1972
| | PRINCIPAL CAST |
Jon Voight, Burt Reynolds
| | DIRECTOR |
John Boorman
| | PRODUCER |
John Boorman
| | SCREENWRITER |
James Dickey
| |
Four Atlanta men discover hidden perils in the backwoods
when they go for a weekend canoe ride down a river
that will soon be flooded by a dam. "Dueling Banjos"
sets an ironic tone for the sinister happenings during
the remainder of the film.
|
 |
DESTRY RIDES AGAIN
| |
Universal, 1939
| | PRINCIPAL CAST |
Marlene Dietrich, James Stewart
| | DIRECTOR |
George Marshall
| | PRODUCERS |
Joe Pasternak, Islin Auster
| | SCREENWRITERS |
Felix Jackson, Gertrude Purcell, Henry
Myers
| |
In a western town, peace-loving sheriff Stewart combats
lawlessness with homilies and the help of saloon singer
Dietrich, who rallies the town's womenfolk to take
up their rolling pins in his support. The film's "See
What the Boys in the Back Room Will Have" became
Dietrich's signature song.
|
 |
THE DIARY OF ANNE FRANK
| |
Twentieth Century-Fox, 1959
| | PRINCIPAL CAST |
Millie Perkins, Shelley Winters, Ed Wynn
| | DIRECTOR |
George Stevens
| | PRODUCER |
George Stevens
| | SCREENWRITERS |
Frances Goodrich, Albert Hackett
| |
Based on the diary of a young Jewish girl, the film
recounts the lives of a small group of Dutch Jews who
hide in an attic to avoid capture by the Nazis. Despite
the inevitable doom, the story is a touching and hopeful
look at life through the eyes of an adolescent.
|
 |
DIE HARD
| |
Twentieth Century-Fox, 1988
| | PRINCIPAL CAST |
Bruce Willis, Alan Rickman, Bonnie Bedelia
| | DIRECTOR |
John McTiernan
| | PRODUCERS |
Joel Silver, Lawrence Gordon
| | SCREENWRITERS |
Jeb Stuart, Steven E. de Souza
|
Willis, a New York City cop who is hoping to reconcile
with his estranged wife,
is an uninvited guest at a Los Angeles high-rise office
party when terrorists take over. Rickman's intellectual
madman matches wits with Willis' scrappy cop in
this stunt spectacular.
|
 |
DIRTY HARRY
| |
Warner Bros., 1971
| | PRINCIPAL CAST |
Clint Eastwood
| | DIRECTOR |
Don Siegel
| | PRODUCER |
Don Siegel
| | SCREENWRITERS |
Dean Riesner, Harry Julian Fink, Rita M.
Fink
| |
Eastwood is Harry Callahan, a policeman willing to go
against the code and invent his own form of justice
to capture a brutal killer. "You've got to ask
yourself one question. 'Do I feel lucky?' Well, do
ya, punk?"
|
 |
DO THE RIGHT THING
| |
Universal, 1989
| | PRINCIPAL CAST |
Danny Aiello, Spike Lee, John Turturro
| | DIRECTOR |
Spike Lee
| | PRODUCERS |
Spike Lee, Monty Ross
| | SCREENWRITER |
Spike Lee
| |
It's a sweltering summer day in the Bedford Stuyvesant
section of Brooklyn, and Sal's Famous Pizzeria becomes
a lightning rod for racial tensions. The much-discussed
close to the film presents different views on the conflict
with quotes from Martin Luther King, Jr. and Malcolm
X.
|
 |
DR. STRANGELOVE
| |
Columbia, 1964
| | PRINCIPAL CAST |
Peter Sellers, George C. Scott
| | DIRECTOR |
Stanley Kubrick
| | PRODUCER |
Stanley Kubrick
| | SCREENWRITERS |
Peter George, Stanley Kubrick, Terry Southern
| |
Kubrick's black comedy focuses on an American president,
played by Sellers in one of his three roles, who must
contend with a Soviet nuclear attack on the United
States and his own maniacal staff, including Scott's
memorable General Turgidson.
|
 |
DOCTOR ZHIVAGO
| |
M-G-M, 1965
| | PRINCIPAL CAST |
Omar Sharif, Julie Christie, Tom Courtenay,
Rod Steiger
| | DIRECTOR |
David Lean
| | PRODUCER |
Carlo Ponti
| | SCREENWRITER |
Robert Bolt
| |
Lean's adaptation of Boris Pasternak's sweeping novel
stars Sharif as the married Dr. Zhivago, whose feelings
for Lara, played by Christie, inspire him to write
beautiful love poems that contrast with the stark realities
of life in Russia after the 1917 Communist Revolution.
|
 |
DODSWORTH
| |
United Artists, 1936
| | PRINCIPAL CAST |
Walter Huston, Ruth Chatterton, Paul Lukas,
Mary Astor
| | DIRECTOR |
William Wyler
| | PRODUCER |
Samuel Goldwyn
| | SCREENWRITER |
Sidney Howard
| |
Sinclair Lewis' novel was the basis for this story of
a retired automobile tycoon whose much younger, social-climbing
wife drags him on an extended European vacation. While
she cavorts with younger men, he eventually finds happiness
with
a down-to-earth American expatriate.
|
 |
DOG DAY AFTERNOON
| |
Warner Bros., 1975
| | PRINCIPAL CAST |
Al Pacino, Chris Sarandon
| | DIRECTOR |
Sidney Lumet
| | PRODUCERS |
Martin Bregman, Martin Elfand
| | SCREENWRITER |
Frank Pierson
| |
Pacino holds bank customers hostage in what he thinks
will be a simple heist to get money for his lover's
sex change operation, but it turns into a major police
and media incident.
|
 |
DOUBLE INDEMNITY
| |
Paramount, 1944
| | PRINCIPAL CAST |
Barbara Stanwyck, Fred MacMurray, Edward
G. Robinson
| | DIRECTOR |
Billy Wilder
| | PRODUCER |
Joseph Sistrom
| | SCREENWRITERS |
Billy Wilder, Raymond Chandler
| |
This crackling adaptation of James Cain's shady tale
of an insurance man lured into murder was brilliantly
cast with the usually "nice guy" MacMurray
as the slick agent in love with calculating Stanwyck.
|
 |
DRIVING MISS DAISY
| |
Warner Bros., 1989
| | PRINCIPAL CAST |
Jessica Tandy, Morgan Freeman, Dan Aykroyd
| | DIRECTOR |
Bruce Beresford
| | PRODUCERS |
Lili Fini Zanuck, Richard D. Zanuck
| | SCREENWRITER |
Alfred Uhry
| |
Tandy is a stubborn old Southern woman, and Freeman
is her resilient chauffeur. The film chronicles their
twenty-five years together as differences dissolve,
friendship grows and respect blossoms. Uhry adapted
the film from his Pulitzer Prize-winning play.
|
 |
DUCK SOUP
| |
Paramount, 1933
| | PRINCIPAL CAST |
Groucho, Harpo, Chico and Zeppo Marx
| | DIRECTOR |
Leo McCarey
| | PRODUCER |
Herman J. Mankiewicz
| | SCREENWRITERS |
Bert Kalmar, Harry Ruby
| |
Released at the height of the Depression, this Marx
Brothers comedy is a satirical attack on politics and
the absurdity of war. In one memorable scene, Groucho,
dictator of the mythical country of Freedonia, mistakes
Harpo for his mirror image.
|
list by year | criteriaa | b | c | d | e | f | g | h | i | j | k | l m | n | o | p | q | r | s | t | u | v | w | y
about this project | q & a | movie memories | press release | movie directory

|